revisting

Jun. 19th, 2013 08:40 am
winterbadger: (coffee cup)
I was looking out old entries regarding poetry, and I cam across one from April 2010. I liked the entry so much and feel it so much today that I'm just going to repost it, in its entirety.

Step into this time machine... )
winterbadger: (small haggis)
This year for Burns Night, we tried to be a little more traditional. Mr Sherwood gave an excellent address to the immortal memory of the Bard, educating us about the licentious, creative dreamer we were celebrating and the history of such commemorations. And Mr Ruppenthal and Ms Johnson gave the Toast to the Lassies, and the Reply to the Toast, both of which lived up to the traditional standard of creativity and good humour. Mr Sherwood's remarks were extemporaneous, but I have been given leave to post the toasts. :-)

Read more... )
winterbadger: (pooh tao)
The weather has been great; cool but pleasant yesterday, rain overnight; today it will be warm, nearly 80*F, and sunny. For more than a week now, my fasting blood glucose has been below 126. My weight is down to a range it hasn't been in three years. I got a very positive annual review. And other things are going well, too )
winterbadger: (books)
And one from Rilke. Read more... )
winterbadger: (coffee cup)
I don't want to short non-English poetry. Here are a couple of pieces by the master of haiku, Matsuo Basho. Read more... )
winterbadger: (tulips)
From another oft-quoted poet.

One of the things I miss about my childhood is that spring used to be filled with daffodils. My father, the perfect combination of consummate gardener and absent-minded professor (I know from whom I get my jackdaw-minded way of pottering from one project to another), planted masses of them, and each year when green started coming back into the world it was accompanied by a great deal of yellow, and we would always have jugs of them about the house.

The Daffodils )
winterbadger: (books2)
Dear, dear, I've fallen far behind.

Here's one from a favourite.

The Eagle )
winterbadger: (wonder)
Two by Housman, another favourite of mine, with thanks to Martin Hardcastle for the transcription.

one for spring )

and one for sorrow )
winterbadger: (afghanistan)
There was an excellent piece this morning on NPR on the experience of combat, a profile of a new book on a unit's experience in Afghanistan. As a thank you to Mr Junger for his book and a salute to the men of the 173rd, my poems for today come from another one man who came to South Asia and saw the glory of war, but who learned its true bitterness only later. <lj-cut>

Rudyard Kipling made a telling observation about warfare in what is now the murderous borderland between Pakistan and Afghanistan. I expect a good many of the men and women who are serving out there now are reading Kipling and know this poem.

A scrimmage in a Border Station—
       A canter down some dark defile—
Two thousand pounds of education
       Drops to a ten-rupee jezail—
The Crammer's boast, the Squadron's pride,
Shot like a rabbit in a ride!

No proposition Euclid wrote,
       No formulae the text-books know,
Will turn the bullet from your coat,
       Or ward the tulwar's downward blow
Strike hard who cares—shoot straight who can—
The odds are on the cheaper man.

The whole poem, "Arithmetic on the Frontier" can be found on Wikisource.

Kipling also wrote a piece called "The King's Pilgrimage" after King George V visited the graves of troops from throughout the British Empire who fell in France and Belgium in World War I. It ends

And the last land he found, it was fair and level ground
About a carven stone,
And a stark Sword brooding on the bosom of the Cross
Where high and low are one.

And there was grass and the living trees,
And the flowers of the spring,
And there lay gentlemen from out of all the seas
That ever called him King.

'Twixt Nieuport sands and the eastward lands where the Four Red Rivers spring,
Five hundred thousand gentlemen of those that served their King.

All that they had they gave - they gave -
In sure and single faith.
There can no knowledge reach the grave
To make them grudge their death
Save only if they understood
That, after all was done,
We they redeemed denied their blood
And mocked the gains it won.
winterbadger: (books)
I've been falling behind on my poetry project. Work has that tiresome way of occasionally wanting you to, well, work. Cramps the artistic style, you know. Well, not as much as having no job does, for sure.

Anyway, here's a rather entertaining poem I encountered just this afternoon, casting about for something to include Read more... )

and here's another )

and one more )
winterbadger: (RockyMountain)
I'm a day behind, so I'll add this poem today, another by cummings which I had not read before until the I found the page where I found the little lame balloon man. (It's here, for those who would read more cummings.)



it may not always be so; and i say
that if your lips, which i have loved, should touch
another's, and your dear strong fingers clutch
his heart, as mine in time not far away;
if on another's face your sweet hair lay
in such a silence as i know, or such
great writhing words as, uttering overmuch,
stand helplessly before the spirit at bay;

if this should be, i say if this should be--
you of my heart, send me a little word;
that i may go unto him, and take his hands,
saying, Accept all happiness from me.
Then shall i turn my face, and hear one bird
sing terribly afar in the lost lands.


This one struck me particularly as it echoes some things I had been thinking about. I was listening to the soundtrack from Rushmore in the car yesterday, and on came Cat Stevens' song "Here Comes My Bay". I'd always thought it was a cheerful, joyful song, I think because I'd never listened very closely to the lyrics. Actually hearing them, and thinking about them, my feelings are much more mixed. To me, it, and this poem, are much more about accepting life as it is, without resentment or envy. Which is not always easy--I know that bird's song.
winterbadger: (tulips)
In honour of (at least here in DC) the late lamented Sping, I selected a poem from e. e. cummingsRead more... )
winterbadger: (books)
Yesterday was so annoying, I'm tempted to put up Kipling's "If"...

Instead, here is one from The Aged Poet I refer to here from time to time. In fact, as a special bonus here's a chance to hear him reading it.

I tried to piece out what it tells me, and I come back to a very simple acknowledgment of the movement of lives through time and the desire to do so while retaining a little grace and dignity. I think my mother always focused on the second stanza, reading it as a rejection of the search for meaning in place of a focus on the self. But I think that says more about her hang-ups than her friend's. His awe at the way the mantel can take the marks of time and remain beautiful, turn them into part of its beauty, his appreciation for life-worn faces, how the treasures in his drawer touch him, his memory of his father's eye--this isn't self-absorption, much less selfishness or a desire to avoid responsibility. It's an acceptance and celebration of how time changes us, changes everything, and the beauty that can come out of that.
winterbadger: (wonder)
OK, so I said that yesterday's poem reminded me of another, and I can't even hold onto it for a day.

William Butler Yeats

Aedh wishes for the Cloths of Heaven

Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

It was used in the final episode of the third season of Ballykissangel, in a beautiful scene where the central characters are meeting on a hillside, holding a wake really, to remember a friend who has died. Each of them has something to say, a poem or a few words. And the schoolteacher, Brendan, recites this poem.

Again, Yeats' imagery is striking and evocative. His rhythm and metre are subtle, the alternate line endings are almost unnoticeable but employ subtle repetition. And I love the way that the speaker's poverty is used as an excuse for sharing something far more precious than anything money could ever buy.

It's a wonderful love poem; it's a beautiful epitaph. It's just lovely. Dammit, it makes me cry whenever I read it.
winterbadger: (books2)
For today, I just chose something that came to me when I thought "poem"? It's by William Butler Yeats

When You are Old

When you are old and gray and full of sleep
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.

And bending down beside the glowing bars,
Murmur, a little sadly, how love fled
And paced upon the mountains overhead,
And hid his face amid a crowd of stars.

I love Yeats' imagery (I can think of another poem of his I will have to use soon too). I'm not quite sure what to make of the reference to love having fled, though. Did the "one man" leave "you"--was love not strong enough? Or did he leave her by dying (hence the hiding among a crown of stars)? I like to think the latter--it's the romantic in me (as Captain Renault would say. :-)

Either way, as a romantic, I appreciate the idea of someone being loved by many for her beauty and grace, but being loved most and specially by the person who saw past what other people did.
winterbadger: (books)
I had conceived, at some point, the idea of posting a favourite poem each day during April, it being National Poetry Month. Obviously that hasn't happened, but I will try to post thirty all the same; same idea, just starting a bit late.

Poem #1 )
winterbadger: (books)
In Flanders Fields the poppies blow
Between the crosses row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
winterbadger: (books2)
Someone remarked on a list I read that he was preparing, as part of a choral group, to sing Britten's "Hymn to St. Cecilia" and finding the latter portion of the text rather impenetrable. Someone else referred him to this essay for insight into W. H. Auden (the author of the poem on which the hymn is based), Britten, and the meaning of the text. I was struck by the portion of the article that quotes Auden saying to Britten, in part:Read more... )
winterbadger: (glass_standrew)
Burn's Tam O'Shanter with 'translation'

I detect some...liberties here and there with the English version, rather like listening to a French movie while readign the subtitles. But I love teh language, and I'd much enjoy seeing the Thom statues at Souter Johnnie's Cottage.

What say, [livejournal.com profile] john_arundel and [livejournal.com profile] gr_c17, are we three "ancient, trusty, drouthy cronies"? :-)

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