winterbadger: (coffee cup)
The Price of Glory: Verdun 1916 by Alistair Horne (19)
Brilliance of the Moon by Lian Hearn (20)
Blood of Victory by Alan Furst (21)
The Thief and The Queen of Attolia by Megan Whalen Turner (22 and 23)

I want to record these before I forget to do so, but they need more time to properly review than I have right now.

In Progress:
With Zeal and Bayonets Only by Matthew Spring
Trigger Warning: Short Fictions and Disturbances by Neil Gaiman
Queen Victoria's Book of Spells Edited by Ellen Datlow and Terri Windling
Empire of the Mind: A History of Iran by Michael Axworthy
winterbadger: (pooh tao)
Catching up before the year ends. I've already beaten last year's 21, but I'm nowhere near the desired 50.

The Assassination of the Archduke: Sarajevo 1914 and the Romance That Changed the World by Greg King and Sue Woolmans (26)

The Rise of Islamic Capitalism: Why the New Muslim Middle Class Is the Key to Defeating Extremism by Vali Nasr (27)

Magnificent Delusions: Pakistan, the United States, and an Epic History of Misunderstanding by Hussain Haqqani (28)

In Progress:
The Battle of Midway by Craig L. Symonds
How Can Man Die Better: The Secrets of Isandhlwana Revealed by Mike Snook
Dunkirk: Retreat to Victory by MG Julian Thompson
Empire of the Mind: A History of Iran by Michael Axworthy
Boer Commando by Denneys Reitz
winterbadger: (pooh tao)
The Teeth of the Gale by Joan Aiken (20) The third of Aiken's YA "Felix" trilogy. Entertaining account of Felix, who rejoins a friend from an earlier adventure, venturing into the murky world of early 19th century Spanish politics. Ever the young caballero, Felix journeys to help a beautiful lady in distress and has more adventures in the desolate mountains of northern Spain. Enjoyable while not terribly deep, this story neatly rounds out the trilogy of tales about the young Anglo-Spanish nobleman.

War for the Oaks by Emma Bull (21) I first encountered Emma Bull when I read the novel Freedom and Necessity, which she co-wrote with Stephen Brust. That novel is based in history; this, written ten years earlier, is one of her best-known novels, a classic urban fantasy, with a young woman being dragooned into joining a war between two supernatural factions. Romance, music, knights of faerie--it's all here in an enjoyable story draped in what felt to me like charmingy dated 1980s aesthetics (written in 1997, so that last is a little misleading).

The Chinese Maze Murders by Robert van Gulik (22) van Gulik was a Dutch diplomat, writier, and musician. Born in the Netherlands, he spent most of his life in East Asia, first growing up in the Netherlands East Indies and later serving in the Dutch foreign service in Japan and China. Van Gulik loved Asain traditional culture, especially Chinese art, literature, and jurisprudence. He translated a traditional Chinese novel, of a genre somewhere between the mystery and the police procedural. Quite taken by this Chinese genre, he wrote new novels in this form, using historical settings and legal cases taken from his research, hoping that these would appeal to modern Chinese and Japanese readers, who at the time (1950s) were very taken with Euro-American detective novels. The novels proved even more popular in the West, and van Gulik eventually published over a dozen of them, which appeared in English, Chinese, and Japanese translations.

This is the first novel he wrote himself (though not the first in in-story chronology). It illustrates some of the characteristics that van Gulik found most interesting about the original Chinese style, including the simultaneous unraveling of several different plots; the pattern of the central character being a magistrate who investigates, prosecutes, and judges his cases; the importance of the public nature and ceremony of examinations and sentencing of prisoners; the importance of maintaining the symbolic unity and propriety of Imperial rule as a means of ensuring it's practical stability. The one element he reportedly changed was that traditional Chinese "detective" stories employ an inverted format, where the details of the crime are known ahead of time and the dramatic tension come from the investigator's own growing understanding of them. Van Gulik thought that readers would prefer the method more traditional in the West, of allowing the reader to discover the facts of the case as the same time as the investigator.

I found this quite enjoyable. I was able to find a cheaper copy in the Apple (book)store; it has van Gulik's pen and ink illustrations, but is produced from an older edition with fewer bells and whistles and the occasional typo, but for what will likely be a one-off reading, I can justify the cost of a $5 e-book of an old edition more easily then the $9 cost of an e-book of the most recent printing.

Brotherhood of Heroes: The Marines at Peleliu, 1944--The Bloodiest Battle of the Pacific War by Bill Sloan (23) This deserves a fuller review than I can provide right now. But I will say that it strikes me as an excellent history of a military action, as it provides strategic context, a factual narrative, thorough and careful detail of tactical, doctrinal, and practical issues that someone not intimately familiar with the subject may not know, and it also engages the reader by providing a lot of personal/human context by skillfully weaving in the accounts of individual soldiers involved in the battle. It left me feeling as if I had gotten a clear and detailed look at the events of the battle and gotten to know many of the participants.

I also began listening to, and then stopped and returned, John Mosier's Verdun: The Lost History of the Most Important Battle of World War I, 1914-1918. I have to say, frankly, I detest his work. He represents what, to me, are some of the worst traits of amateur military historians. He wants to be notorious, controversial, iconoclastic, and for the most part always comes off, to me, as shallow, self-important, and sloppy. He starts off Verdun by trying to convince the reader that French geography is confusing, idiosyncratic, and impenetrable, that it confused and confuses most military officers and historians, both from foreign countries and even from France itself. His evidence for this is that wartime documents and postwar histories of the Verdun battle use terms like "the Argonne" or "Lorraine" or "Burgundy" that were not specifically delineated entities with legal borders. That's like saying that a history of Virginia is confusing because it refers to the Peidmont and the Tidewater, which are not legal entities (today, "Lorraine" definitely *is* a legal and administrative entity, which makes me wonder if it wasn't in 1914 or if Mosier screwed that up too). He complains that authors frequently mean different things by referring to "Verdun"--sometimes the city, sometimes the Région Fortifiée de Verdun. Well, yes, sometimes names mean more than one thing; but I'm unwilling to beleive that most historians of the conflict are unable to clearly indicate which they mean.

In progress:
Roman Blood by Stephen Saylor
How Can Man Die Better: The Secrets of Isandhlwana Revealed by Mike Snook
Dunkirk: Retreat to Victory by MG Julian Thompson
Empire of the Mind: A History of Iran by Michael Axworthy
Boer Commando by Denneys Reitz
winterbadger: (books)
In Flanders Fields the poppies blow
Between the crosses row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.


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